Doubledee [comrade/them]

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Joined 3 years ago
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Cake day: July 16th, 2022

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  • Doubledee [comrade/them]@hexbear.nettoArmed Democrats@midwest.socialTruth.
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    8 days ago

    I’m not attacking anyone. You’re getting all angry at a person for pointing out that we already turned on the meat grinder centuries ago. I think it actually matters that people not treat Trump as an anomaly that can be neutralized by dealing with him as a single person. Going back to what preceded this guy will not be fixing the problem.


  • I think a decent country should label the systematic killing of hundreds of thousands of people as alarming and a sign of an evil political system at work. A difference in scale would still be a tragedy but you couldn’t really say that extermination is milquetoast centrism in reasonable company. If your country is throwing people in a meat grinder, to use your words, you’re already in a point where it would be appropriate for someone to ask:

    What rise? The country has been fascist since before anyone here was born. Those fascists have been enabled by people like you cheering on politicians while they put people in concentration camps at the border, strip away basic rights such as abortion while never even allowing others like healthcare, and outright commit genocide. Be honest with yourself: you don’t hate Trump because he’s a fascist, you hate him because he’s not a “polite” fascist.





  • I think people liked it because the early books are kinda evocative of something really whimsical and Dahl-esque. The house system, the castle, the owls, etc. it has a very flushed out initial setting that you (especially as a little kid with limited capacity to critically analyze it) can imagine fitting into and that adds a lot of character to what’s happening.

    It struggles as it goes on because it becomes more and more clear that JK is not capable of critical analysis either and that all the evocative stuff is going to basically amount to nothing. She never really builds on top of any of the foundations she sets down, she would rather bring up a new evocative thing instead. Quidditch is a great example: it sucks, the rules are insane, you cannot understand the stakes and it’s impossible to care about, but she never really does anything with the funny premise that the wizards are all bent out of shape over something so silly.

    A huge issue with this is that Rowling is, at her core, an uncritical Br*tish person who is not capable of recognizing the problems with the tropes she trafficked in or the very obvious subtext to the world she created: the wizards ARE a supremacist closed society that subjugates every sapient magical being to wizards, that have no regard for the well-being of other humans, and are committed to defending a clearly dysfunctional status quo that Rowling cannot countenance any criticism of. So as the books go on they become less whimsical and more horrific without her noticing. The book series literally ends with the protagonist wondering whether the chattel slave he inherited will bring him food, and you are not supposed to think that says anything negative about Harry.

    I think she also succumbed to movie brain, a lot of stuff aligns more with the movie depictions of things over time, and her writing also starts to seem like she’s writing with an eye to how a movie would look. Given her weakness as a writer pivoting into a different craft she is even worse at was a bad idea.

    Edit: the TL;DR is that the strength of the series’ world building is almost entirely evocative imagery and tropes that are easy to imagine fitting in with. Which is to say you can imagine buying and filling your room with Harry Potter objects because you have a clear idea what that would mean.






  • The people who are willing to split up a community over their electoral politics are not likely to be won over, you should probably not expect to be able to save all of them. That said don’t blame yourself, they are the ones who can’t take the grill pill and just be normal around their friends.

    Your MAGA friends bizarrely sound like the more conciliatory part of the group, it sounds from your description that they understand things are tense and are trying to avoid stirring the pot.

    You don’t think there’s a portion of the group that would be amenable to instituting rules for hanging out/chatting to just not bring up politics? I feel like the “no religion no politics” canard is common for a reason, a lot of people understand it’s volatile and are willing to avoid the topics to preserve their relationships.

    Because to be clear, you’re not failing the revolution by not having an argument with them about neoliberalism, nor would you be spearheading it by owning them with facts and logic. But a group of friends who care about each other and are willing to work together to defend their common interests can be valuable, especially if things keep getting worse.

    Not of course that you should tolerate everything. Maybe this is too wishy washy to be helpful as advice but you have all the context to make the judgment call I think.





  • I can say, personally and perhaps anecdotally, that a lot of the problems I experience are in contexts where I feel crowded and in competition with other people. At least in Amerikkka most people spend a significant part of their lives trapped in an enormous steel line surrounded by too many cars unable to go anywhere, waiting in lines for limited quantities of necessary goods, and fighting to have space to yourself in the decreasing number of public spaces available without having to pay to enter.

    I know better than to blame the people around me for these conditions, but I think a lot of people tie those frustrated feelings to the people around them instead of to the systems that create the jams.

    I’m not saying this fully accounts for it, but I think people get a strong vibe that things would go smoother without all these people around.