ChatGPT cannot imagine freedom or alternatives; it can only present you with plagiarized mash-ups of the data it’s been trained on. So, if generative AI tools begin to form the foundation of creative works and even more of the other writing and visualizing we do, it will further narrow the possibilities on offer to us. Just as previous waves of digital tech were used to deskill workers and defang smaller competitors, the adoption of even more AI tools has the side effect of further disempowering workers and giving management even further control over our cultural stories.
As Le Guin continued her speech, she touched on this very point. “The profit motive is often in conflict with the aims of art,” she explained. “We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.” That’s exactly why billionaires in the tech industry and beyond are so interested in further curtailing how our words can be used to help fuel that resistance, which would inevitably place them in the line of fire.
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The stories and artworks that resonate with us are inspired by the life experiences of artists who made them. A computer can never capture a similar essence. Le Guin asserted that to face the challenging times ahead, we’ll need “writers who can remember freedom — poets, visionaries — realists of a larger reality.” Generative AI seems part of a wider plan by the most powerful people in the world to head that off, and to trap us in a world hurtling toward oblivion as long as they can hold onto their influence for a little longer.
As Le Guin said, creating art and producing commodities are two distinct acts. For companies, generative AI is a great way to produce even more cheap commodities to keep the cycle of capitalism going. It’s great for them, but horrible for us. It’s our responsibility to challenge the technology and the business model behind it, and to ensure we can still imagine a better tomorrow.
‘previous waves of digital tech were used to deskill workers and defang smaller companies’ just isn’t even close to true, it’s far easier to access learning resources, tools, and a final market for your product or skills than it ever has been.
I hate when people look back and say things like ‘technology took away jobs’ when the reality is it’s what ended the brutal privation and poverty as described in works like Jude the Obscure and Ragged Trousered Philanthropists - imagine how different Jude or Robert Tressell’s lives would have been with access to the educational and community organisation resources we all take for granted. Neither of those people had the slightest chance to reach their potential and that was the reality of working class life in those eras, today we all have free access to almost endless learning resources on any subject - we have for many things the tools freely available or at cost thanks to open source; coding, digital art, writing, publishing, film-making… If Joel Haver had been born Robert Tressell or Jude the Obscure then he’d certainly have never made a movie (anachronism aside) but today he and a million other normal people from average lives are able to create art and express themselves freely.
If anything tech has given fangs to little companies and independent creators, i’ve watched more Joel Haver movies than Marvel movies - one guy and his friends using hobby grade gear, home computers and a lot of passion is enough to make something that people all over the world can enjoy - tech has been fantastic for creators.
and when creators are able to use AI tools to make that even easier and to increase the scope of their creations it’ll be the big companies that suffer not the small creative groups full of passion, ideas and strong connection to the world they live in.